This competition-winning scheme, undertaken in collaboration with Re-Fabricate, created a series of temporary, accessible and sustainable installations in a public space – Postman’s Park - in the Smithfield area of the City of London. The aim was to challenge conventional public realm design by exploring how alternative ways of working and re-use of materials could create truly accessible places.

The project was in response to a ‘Co-Designing Equity in the Public Realm’ competition for the London Festival of Architecture during June 2023, funded by the Foundation for Future London and the City of London Corporation. Our programme consisted of six workstreams:

Seats co-design: A series of workshops with both non-disabled and disabled school children to design ‘seats at the table’. The workshops took an explorative design approach to creating playful chair designs, focused on embracing and highlighting various access needs, as a way to express difference and diversity creatively.

Site Co-explorations: Two workshops that enabled collaborations between disabled artists and built environment professionals to choose the most accessible site from three locations near the Smithfield area in the City of London, as well as to highlight what other creative access improvements might need to be made.

Events programme: The installations played host to a series of workshops on sustainability and accessible inclusion throughout the London Festival of Architecture.

The Build: Alongside The Bartlett School of Architecture’s B-made workshop team at UCL, the student designs were collated into six bespoke chairs. The Remakery, a co-operative workshop, designed and built the central table. We aimed to use as much waste, recycled or reclaimed materials as possible, including reclaimed timber from London Reclamation & Salvage, timber from fallen trees from Fallen and Felled, and recycled plastic from Smile Plastics.

Installation: The seats at the table, and an exhibition explaining the programme, was installed in Postman’s Park alongside a series of accessible site interventions by disabled artists, funded separately by Arts Council England for a parallel DisOrdinary Architecture project called Disabled Artists Making Truly Accessible Spaces and Events.

Disassembly and reuse: Each participating school homed their corresponding chair either permanently or temporarily, and remaining materials found second homes with local community and school groups within London.

Accessibility was a thread running throughout the programme to ensure an inclusive environment both digitally and physically, and to provide open and safe opportunities to discuss how different and diverse accessible needs can be met creatively.